Spotify presents live virtual concerts with ticketing

With the return of live events, Spotify cash this and invoice for live broadcast virtual concerts now. As the world begins to reopen, artists will start touring again, but they must recover from their losses. Tic and SoundCloud were the first to facilitate digital artist days, but Spotify is also entering this race. It starts May 27, available on the artist pages of 6 a.m. to 8 p.m..

Imagine you wanted to see an artist but couldn’t do the show due to travel restrictions or an impromptu show you couldn’t do. From now on, artists will be able to choose where they want to give a concert. Thanks to pre-recorded live shows, it’s easier to have a concert without the trials and tribulations of box office etc. The Black Keys, Rag’n’Bone Man, Jack Antonoff from the stands, Leon Bridges, and girl in red will be among the first to try this.

“We’ve always been a band that enjoys performing live in venues of all shapes and sizes. The past year has been difficult for musicians and fans. [So] we wanted to find a way to share this live performance of songs from our new project, Delta Kream, from a place we love, the Blue Front Cafe, the oldest active juke joint in America. We are excited to be a part of this new initiative with Spotify which will provide fans with a great way to connect with their favorite artists. “

The black keys

Here is the logistics

Each live broadcast is 40-75 minutes long and costs $ 15 per show. Spotify offers this as an intimate look at artists and can sell unlimited tickets for these streams. It’s better than selling yourself or hitting capacity in theaters. We know how drunk he is trying to make his way through a crowd. Now, does the cover charge go to the artists? This was not disclosed and since Spotify and Youtube pay the least per stream, their motives seem questionable. The music streaming service simply said that all artists will receive a guaranteed fee for their participation in the live broadcast.

So, would you give it a try?

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Victor L. Jones